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PRODID:-//Vrije Universiteit Amsterdam//NONSGML v1.0//EN
NAME:PhD defence C.C.S. Rulkens
METHOD:PUBLISH
BEGIN:VEVENT
DTSTART:20260424T134500
DTEND:20260424T151500
DTSTAMP:20260424T134500
UID:2026/phd-defence-c-c-s-rulkens@8F96275E-9F55-4B3F-A143-836282E12573
CREATED:20260418T222739
LOCATION:Hoofdgebouw, Aula De Boelelaan 
 1105 1081 HV  Amsterdam
SUMMARY:PhD defence C.C.S. Rulkens
X-ALT-DESC;FMTTYPE=text/html: <html> <body> <p>Rembrandt and Rubens Re
 visited</p> <p><strong>More insight into Rembrandt and Rubens attribu
 tions</strong><br><br>Replicating research is also valuable in art hi
 story, provided that attention is paid to expertise and interpretatio
 n. This is evident from research by art historian and curator Charlot
 te Rulkens. The approach leads to more transparent and better compara
 ble attributions of works by Rembrandt and Rubens, among others.</p><
 p><strong>Replication in art history</strong><br>‘The impetus for m
 y research is the so-called replication crisis in the biomedical and 
 social sciences, which showed that many studies did not yield the sam
 e results upon repetition. This raised the question of whether simila
 r problems also exist in the humanities, where expert judgment plays 
 a central role,’ says Rulkens.</p><p>The research shows that replic
 ation of attribution research yields more than just confirmation of p
 revious conclusions. ‘It makes assumptions visible, helps improve m
 ethods, and contributes to better recording of expert knowledge. This
  makes the judgment of experts, often perceived as a “black box,”
  more transparent and easier to discuss.’</p><p><strong>Role of exp
 ertise and interpretation</strong><br>According to Rulkens, other dis
 ciplines can learn from this. ‘In many replication discussions, the
  emphasis lies on data and measurement methods, while the role of exp
 ertise and interpretation remains underexposed. Yet these factors are
  essential to understanding why studies are sometimes reproducible an
 d sometimes not.’</p><p><strong>Importance of attributions</strong>
 <br>Attributions help determine how artworks are interpreted, present
 ed, and valued. Differences in expert judgment can lead to divergent 
 conclusions, sometimes with major cultural and financial consequences
 . The research offers tools to make this process more transparent and
  careful.</p><p><strong>Method: Attribution Expert Consensus Meeting<
 /strong><br>For the study, Rulkens, together with a multidisciplinary
  team, repeated previous attribution studies of two portraits by the 
 young Rembrandt and a painting related to Rubens. In doing so, she de
 veloped the method of the Attribution Expert Consensus Meeting.</p><p
 >Rulkens: ‘Experts first give their judgment individually, then dis
 cuss this jointly, and subsequently reassess the work. This approach 
 reduces mutual influence and makes visible where experts agree or dis
 agree. In this way, outcomes can be better compared and replicated in
  the future.’</p><p>More information on the <a href="https://hdl.ha
 ndle.net/1871.1/e2f85f54-d368-4d74-ac13-71e29e822921" data-new-window
 ="true" target="_blank" rel="noopener noreferrer">thesis</a></p> </bo
 dy> </html>
DESCRIPTION: <strong>More insight into Rembrandt and Rubens attributio
 ns</strong><br><br>Replicating research is also valuable in art histo
 ry, provided that attention is paid to expertise and interpretation. 
 This is evident from research by art historian and curator Charlotte 
 Rulkens. The approach leads to more transparent and better comparable
  attributions of works by Rembrandt and Rubens, among others. <strong
 >Replication in art history</strong><br>‘The impetus for my researc
 h is the so-called replication crisis in the biomedical and social sc
 iences, which showed that many studies did not yield the same results
  upon repetition. This raised the question of whether similar problem
 s also exist in the humanities, where expert judgment plays a central
  role,’ says Rulkens. The research shows that replication of attrib
 ution research yields more than just confirmation of previous conclus
 ions. ‘It makes assumptions visible, helps improve methods, and con
 tributes to better recording of expert knowledge. This makes the judg
 ment of experts, often perceived as a “black box,” more transpare
 nt and easier to discuss.’ <strong>Role of expertise and interpreta
 tion</strong><br>According to Rulkens, other disciplines can learn fr
 om this. ‘In many replication discussions, the emphasis lies on dat
 a and measurement methods, while the role of expertise and interpreta
 tion remains underexposed. Yet these factors are essential to underst
 anding why studies are sometimes reproducible and sometimes not.’ <
 strong>Importance of attributions</strong><br>Attributions help deter
 mine how artworks are interpreted, presented, and valued. Differences
  in expert judgment can lead to divergent conclusions, sometimes with
  major cultural and financial consequences. The research offers tools
  to make this process more transparent and careful. <strong>Method: A
 ttribution Expert Consensus Meeting</strong><br>For the study, Rulken
 s, together with a multidisciplinary team, repeated previous attribut
 ion studies of two portraits by the young Rembrandt and a painting re
 lated to Rubens. In doing so, she developed the method of the Attribu
 tion Expert Consensus Meeting. Rulkens: ‘Experts first give their j
 udgment individually, then discuss this jointly, and subsequently rea
 ssess the work. This approach reduces mutual influence and makes visi
 ble where experts agree or disagree. In this way, outcomes can be bet
 ter compared and replicated in the future.’ More information on the
  <a href="https://hdl.handle.net/1871.1/e2f85f54-d368-4d74-ac13-71e29
 e822921" data-new-window="true" target="_blank" rel="noopener norefer
 rer">thesis</a> Rembrandt and Rubens Revisited
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