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PRODID:-//Vrije Universiteit Amsterdam//NONSGML v1.0//EN
NAME:PhD defence C.C.S. Rulkens
METHOD:PUBLISH
BEGIN:VEVENT
DTSTART:20260424T134500
DTEND:20260424T151500
DTSTAMP:20260424T134500
UID:phd-defence-c-c-s-rulkens@8F96275E-9F55-4B3F-A143-836282E12573
CREATED:20260919T205756
LOCATION:Main building VU, 1105, Aula, De Boelelaan, 1081 HV, Amsterdam
SUMMARY:PhD defence C.C.S. Rulkens
X-ALT-DESC;FMTTYPE=text/html: <html> <body> <p><p>Rembrandt and Rubens
  Revisited</p></p> <p><strong>More insight into Rembrandt and Rubens 
 attributions</strong><br><br>Replicating research is also valuable in
  art history, provided that attention is paid to expertise and interp
 retation. This is evident from research by art historian and curator 
 Charlotte Rulkens. The approach leads to more transparent and better 
 comparable attributions of works by Rembrandt and Rubens, among other
 s.</p><p><strong>Replication in art history</strong><br>‘The impetu
 s for my research is the so-called replication crisis in the biomedic
 al and social sciences, which showed that many studies did not yield 
 the same results upon repetition. This raised the question of whether
  similar problems also exist in the humanities, where expert judgment
  plays a central role,’ says Rulkens.</p><p>The research shows that
  replication of attribution research yields more than just confirmati
 on of previous conclusions. ‘It makes assumptions visible, helps im
 prove methods, and contributes to better recording of expert knowledg
 e. This makes the judgment of experts, often perceived as a “black 
 box,” more transparent and easier to discuss.’</p><p><strong>Role
  of expertise and interpretation</strong><br>According to Rulkens, ot
 her disciplines can learn from this. ‘In many replication discussio
 ns, the emphasis lies on data and measurement methods, while the role
  of expertise and interpretation remains underexposed. Yet these fact
 ors are essential to understanding why studies are sometimes reproduc
 ible and sometimes not.’</p><p><strong>Importance of attributions</
 strong><br>Attributions help determine how artworks are interpreted, 
 presented, and valued. Differences in expert judgment can lead to div
 ergent conclusions, sometimes with major cultural and financial conse
 quences. The research offers tools to make this process more transpar
 ent and careful.</p><p><strong>Method: Attribution Expert Consensus M
 eeting</strong><br>For the study, Rulkens, together with a multidisci
 plinary team, repeated previous attribution studies of two portraits 
 by the young Rembrandt and a painting related to Rubens. In doing so,
  she developed the method of the Attribution Expert Consensus Meeting
 .</p><p>Rulkens: ‘Experts first give their judgment individually, t
 hen discuss this jointly, and subsequently reassess the work. This ap
 proach reduces mutual influence and makes visible where experts agree
  or disagree. In this way, outcomes can be better compared and replic
 ated in the future.’</p><p>More information on the <a href="https:/
 /hdl.handle.net/1871.1/e2f85f54-d368-4d74-ac13-71e29e822921" data-new
 -window="true" target="_blank" rel="noopener noreferrer">thesis</a></
 p> </body> </html>
DESCRIPTION: Rembrandt and Rubens Revisited <strong>More insight into 
 Rembrandt and Rubens attributions</strong><br><br>Replicating researc
 h is also valuable in art history, provided that attention is paid to
  expertise and interpretation. This is evident from research by art h
 istorian and curator Charlotte Rulkens. The approach leads to more tr
 ansparent and better comparable attributions of works by Rembrandt an
 d Rubens, among others.<strong>Replication in art history</strong><br
 >‘The impetus for my research is the so-called replication crisis i
 n the biomedical and social sciences, which showed that many studies 
 did not yield the same results upon repetition. This raised the quest
 ion of whether similar problems also exist in the humanities, where e
 xpert judgment plays a central role,’ says Rulkens.The research sho
 ws that replication of attribution research yields more than just con
 firmation of previous conclusions. ‘It makes assumptions visible, h
 elps improve methods, and contributes to better recording of expert k
 nowledge. This makes the judgment of experts, often perceived as a �
 �black box,” more transparent and easier to discuss.’<strong>Role
  of expertise and interpretation</strong><br>According to Rulkens, ot
 her disciplines can learn from this. ‘In many replication discussio
 ns, the emphasis lies on data and measurement methods, while the role
  of expertise and interpretation remains underexposed. Yet these fact
 ors are essential to understanding why studies are sometimes reproduc
 ible and sometimes not.’<strong>Importance of attributions</strong>
 <br>Attributions help determine how artworks are interpreted, present
 ed, and valued. Differences in expert judgment can lead to divergent 
 conclusions, sometimes with major cultural and financial consequences
 . The research offers tools to make this process more transparent and
  careful.<strong>Method: Attribution Expert Consensus Meeting</strong
 ><br>For the study, Rulkens, together with a multidisciplinary team, 
 repeated previous attribution studies of two portraits by the young R
 embrandt and a painting related to Rubens. In doing so, she developed
  the method of the Attribution Expert Consensus Meeting.Rulkens: ‘E
 xperts first give their judgment individually, then discuss this join
 tly, and subsequently reassess the work. This approach reduces mutual
  influence and makes visible where experts agree or disagree. In this
  way, outcomes can be better compared and replicated in the future.�
 �More information on the <a href="https://hdl.handle.net/1871.1/e2f85
 f54-d368-4d74-ac13-71e29e822921" data-new-window="true" target="_blan
 k" rel="noopener noreferrer">thesis</a>
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